\chapter{Are you going to sell this?} This was {\it not} where I thought I was going to go next. I wasn't really sure where I was going to go, but I had no idea that this was going to be even here until I was looking at some zines on Etsy, and thinking back to something that was asked about the journals that I was making yesterday. The friend who came over, asked if I was going to sell them, and to be honest, I have thought about doing so, but really I don't feel that is something that I really is something that I really am really able to do. There's several factors here. The journals are basically my own way of trying to create something that will help make it easier for me to be able to do what they are intended for (journaling).\todo{Journaling} At the time I was creating them, I was tipping in pages to a purchased notebook, and that was every week. It was a significant amount of work every week just to prepare things for the week, and honestly, I was feeling that was actually {\it easier} than what it was replacing. I know the current version isn't handling that idea as well as I had hoped that it would. I fully hoped to have it so that I would have something, which could end up solving the whole situation with it. It doesn't. What it does is gives me a basic replacement of the purchased notebook, in a smaller (fewer pages and I guess slightly smaller pages) format. It's in a lot of ways still an improvement, as it is closer to what I want, and I can just do some printing and assembling, with out having to search for something that works, and I can customise them as I work along with new versions. What would they give to other people? Well, as something I have put together, they would mostly be something that they would be buying because it's a way to show support for me. What I would rather do for people who might get these, is to have them be supporting me to support me, and I could use this as one of the things I might send them on a somewhat regular basis. Now, this is a little different. There's something here that I feel is of value in itself. The arguments I've stated above don't fully make the, ``I probably won't sell this,'' answer as easy to understand. There's a lot of other different things about why I can say that I probably won't sell this. I'll start with some of the easier answers. I'm likely to have trouble assembling them into something that I will have enough of to really be able to justify selling them. I just don't have the physical ability to regularly be doing the 2 hours that it takes to assemble maybe 5-10 in a good efficiency time, and I really also don't have the executive function to manage to sit down and do that when I do the work when I do have the physical ability to do it. Which also brings up yet another factor, which would be that I really would need to have these (or the journals) be something like \$30.00 for a 40 page journal, if I was going to consider what I would need to charge in order to ``live'' off of the sales. Yes, it's a hand made item. Yes, that might get some people to feel that it's really worth it. But a \$30.00 monthly journal is not something I could justify spending myself even if it was perfect, and I really had access to that kind of money. This would probably be more like \$45.00 for a print version, if I were to do so with the intention of paying for my time. That is probably where the understanding ends up starting to diverging from the easy to understand reasons, and more into some form of cultural differences. I live in a deeply individualistic society in Canada, where there are some people try individually to create a more collectivist experience. This is not as strong as it is in U.S.A. or I think U.K.. But as someone who would really like to have a more collectivist world, it is difficult to have people who aren't already there understand that is really even a thing. I have spent time in Finland where there's not a speck of garbage around, or that was what it was like when I was in Finland. It's not that there's all these rigid rules as to what you do with the garbage. It is that when there's a question of, ``Will this harm others?'' or ``Will this benefit me?'' the balance is more in the not harming others. The same thing when I spent time in Japan. My Japanese and my Finnish are both rather low in being able to use it. French is pretty low as well, and I spent a year in Montr\'eal Qu\'ebec, where there is a bit of a perception that if you're not speaking French (less so than other parts of the province) you can be treated rather poorly. The thing I found in all these spaces, was that by my sense that I am asking that they understand that I don't understand that well, but being willing to work with them, I felt way more ``at home'' in all these spaces, than I have in the vast majority of English speaking spaces. In related topic (and this is probably for another time)\todo{Write this up}, I was asked where I was from in the city I live in, and have lived in now for I think more than 40 years in total (and was born here). No, it wasn't the, ``But where are you really from?'' type thing that BIPOC people often report, but it did give me some sense of what that experience is like.\todo{Where are you really from?} So... Let's get back to where I was going... With a better understanding that I'm not really in that capitalistic/individualistic view that the, ``Will you be selling that?'' question seems to mostly be coming from, the idea of getting this in the hands of people who can afford to pay what it's worth, is a bit of an affront to my ideals. I absolutely want to make sure this will get in the hands of the people who I feel need to feel seen, and those are people who usually can't afford to pay what this would be worth, and one way that I have addressed that in the past (with digital goods), while still charging has been to have ``community copies,'' which I do wish to continue even with physical items. I certainly want to be able to have this (and the journal), at a price which feels like it is the price which the version would be fair in terms of the time I put into it. I'd also like to say that those prices will include prices which will allow community editions both in print and digital. Many artists, will sell stuff (even custom stuff), at a price that will ``allow them to continue to do the art,'' and this is very understandable, that the main focus is to just be able to do what they want to, but I feel it often ends up being a bit misguided. Why? I feel it's two issues, but a big one is what I have seen about how to price your work. I have attended workshops both for independent business people (not for people who are in an MLM, or some other form of contracting with a corporation so you can be an independent person under their roof), and artists about how to price your work. Some of this has gone into huge degrees of detail about it, which I have to say works very well for some people, other situations have gone with some idea of really very simple things, which also works for some people. All of this pricing ends up with some sense that things are often priced at a rate much higher than those that artists who just are trying to make enough money to keep doing their art will price things at. The one thing particularly from the artist perspective, has been that by selling your work at a rate less than what it's worth, you end up devaluing other similar work from other artists. I feel this is true, though it feels that you can justify the idea of giving your work away more easily than you can justify underpricing your work. Especially if you are doing both pricing at a fair price, and being able to somehow get stuff free. So, I likely will be listing this as available for people who pay, though probably pricing at a premium over what I feel it is worth, and providing community copies to anyone who would like them (though in somewhat limited numbers).